A central aspect of Street Art is its ephemerality. Any unsanctioned public work runs the risk of being removed or painted over by authorities or by other artists. No one can own it or buy it. Viewers are seeing a one-of-a-kind work that is likely not to last. This temporariness creates an immediacy and electricity around the work. Graffiti art is described as a radical contemporary art movement. It takes inspiration from other movements such as Pop Art, Abstract Expressionist and Surrealism, which are known for their loud, quirky nature, and bright colours. Hall, S., & Jefferson, T. (Eds.). (1976). Resistance through rituals: Youth subcultures in Post-War Britain. London: Hutchinson. Match this with some striking colours and you’ll have all you need to make your project pop! Create a sense of fun, movement, and energy, Street Art continues to be a popular category of art all over the world, with many of its practitioners rising to fame and mainstream success (such as Bristol's Banksy, Paris' ZEVS, and L.A.'s Shepard Fairey). Street artists who experience commercial success are often criticized by their peers for "selling out" and becoming part of the system that they had formerly rebelled against by creating illegal public works. Communications professor Tracey Bowen sees the act of creating graffiti as both a "celebration of existence" and "a declaration of resistance." Similarly, Slovenian Feminist author Tea Hvala views graffiti as "the most accessible medium of resistance" for oppressed people to use against dominant culture due to its tactical (non-institutional, decentralized) qualities. For both Bowen and Hvala these unique positive attributes of graffiti are heavily reliant on its location in urban public spaces. Art critic and curator Johannes Stahl argues that the public context is crucial for Street Art to be political, because "it happens in places that are accessible to all [and] it employs a means of expression that is not controlled by the government." Street artist BOOKSIIII holds an opinion not uncommon of many of today's street artists, that it is not inherently wrong for young artists to try to make money from galleries and corporations for their works, "as long as they do their job honestly, sell work, and represent careers," yet at the same time he notes that "graffiti does not stay the same when transferred to the gallery from the street. A tag on canvas will never hold the same power as the exact same tag on the street."

Rahn, J. (2002). Painting without permission: Hip hop graffiti subculture. Westport: Bergin and Garvey. Scaling: Begin by enlarging and adjusting the letters, ensuring they are proportionate and harmoniously balanced. The term ‘graffiti art’ describes images, text, and illustrations that are painted on walls or the sides of buildings – usually without permission. Originating in the 1960s, the art of graffiti itself was initially considered vandalism, but it’s now more widely recognised as artwork. The terms ‘graffiti’ and ‘street art’ are often used interchangeably. However, graffiti conventionally has negative connotations as it was originally seen as illegal writing on public spaces. Street art, however, is a broader and more accepted term for publicly shown art like murals and sculptures. Both artforms are the inspiration behind contemporary graffiti art. When did graffiti art start? Castleman, C. (1980). “Getting Up”: Subway graffiti in New York, thesis. New York: Columbia University.Wildstyle – Ideal for specialised audiences, as it’s often unrecognisable to the average spectator. It involves using complex font designs that are stretched, twisted, and ornamented.

Street Art can often be viewed as a tool for promoting an artist's personal agenda surrounding contemporary social concerns, with city facades acting in the same role as the old fashioned soapbox; a place to extol the artist's opinion on a myriad issues ranging from politics and environmentalism to consumerism and consumption.Whether you’re saying ‘happy birthday’ in a card, creating a brand social post that stands out on a newsfeed, or trying to present your business USP in an attention-grabbing logo, you can use graffiti to communicate information through words, images, illustrations, and designs. Go bold with your font. McAuliffe, C., & Iveson, K. (2011). Art and crime (and other things besides …): Conceptualising graffiti in the city. Geography Compass, 3(5), 128–143. Tip: Utilize markers for creating tags as they often yield better results than pencils. Transitioning from Tag to Full Piece: Learn to draw graffiti! Make sure that the stencil is flush against the wall. Gaps between the stencil and the wall may let paint cover areas of the design that are meant to be blank. [10] X Research source

The easiest way to create consistent graffiti alphabets in a similar style and composition is to use grids.Graffiti art samples techniques and methodologies from street graffiti and applies them to other mediums, which can then be bought, sold, and exhibited in different environments. Famous graffiti artists include Cornbread, Daze, and Banksy. Doing so will help you to learn every step of the way and give you an idea of how to design a graffiti on your own. MacDonald, N. (2001). The graffiti subculture: Youth, masculinity and identity in London and New York. Basingstoke: Palgrave.