IN THE BLINK OF AN EYE NEW EDN: New Edition

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This book was perhaps relevant when it came out, 20+ years ago, and then immediately became outdated. p. 55 So, instead of fixing the scene itself, you might clarify some exposition that happens five minutes earlier. Margt af því sem Murch bendir á varðandi möguleg vandamál við klipp í stafræna heiminum vs analog er eitthvað sem ég get tengt við og lært af. Svo er líka gaman að sjá hversu vel hann nær að spá fyrir náframtíðinni en allt sem hann segir hefur orðið að veruleika í dag.

held að það sé mikilvægt fyrir mig sem klippara að rekja sögu klipps frá byrjun og fá innsýn inní vinnubrögð fyrri tíma.I have read a lot of books in my time and Walter Murch's 'In the blink of an eye' is easily one of the best of those! Murch has a chapter on all the new software out on editing film and he is still a bit skeptical it can deliver on all its claims. We take pride in offering a wide selection of used books, from classics to hidden gems, ensuring there is something for every literary palate.

According to The Film Stage, the book “is often considered the essential literary source on film editing. This tells how an editor makes choices and cuts film - originally a physical cut - and how machines used to be large, noisy and heavy but have moved to be computers. I’ve been editing since I was 12 so it has certainly affirmed and validated for me a lot of the things I knew about editing on certain levels, but never have had explicitly stated.While its talk of digital editing’s technological limitations is obviously quite dated, his points about the fundamental differences between workflows for digital and analog editing were still relatable to me and are definitely good food for thought. Later in the book, after all that stuff, he talks about the differences between film editing and digital/electric editing. So when he got back to just talking about the philosophical differences of all these different systems, then I was about to hop back on his wave-length and start learning again. La edición de 2021 cuenta con capítulos adicionales sobre el sonido de una película y su edición y montaje, así como unas reflexiones sobre el cambio del celuloide al digital en la industria en los últimos años.